Natasha, Pierre, and the Great Comet of 1812
Musical by David Malloy
Directed and Choreographed by Christine O’Grady
Dramaturgy by Samuel Yates and the class of THEA 211
A fanciful retelling of Leo Tolstoy’s War and Peace, this electropop opera gives musical flair to this classic work of literature.
Natasha, Pierre, and the Great Comet of 1812
Musical by David Malloy
Directed and Choreographed by Christine O’Grady
Dramaturgy by Samuel Yates and the class of THEA 211
A fanciful retelling of Leo Tolstoy’s War and Peace, this electropop opera gives musical flair to this classic work of literature.
Natasha, Pierre, and the Great Comet of 1812
Musical by David Malloy
Directed and Choreographed by Christine O’Grady
Dramaturgy by Samuel Yates and the class of THEA 211
A fanciful retelling of Leo Tolstoy’s War and Peace, this electropop opera gives musical flair to this classic work of literature.
Natasha, Pierre, and the Great Comet of 1812
Musical by David Malloy
Directed and Choreographed by Christine O’Grady
Dramaturgy by Samuel Yates and the class of THEA 211
A fanciful retelling of Leo Tolstoy’s War and Peace, this electropop opera gives musical flair to this classic work of literature.
Natasha, Pierre, and the Great Comet of 1812
Musical by David Malloy
Directed and Choreographed by Christine O’Grady
Dramaturgy by Samuel Yates and the class of THEA 211
A fanciful retelling of Leo Tolstoy’s War and Peace, this electropop opera gives musical flair to this classic work of literature.
Men on Boats
MEN ON BOATS
By Jaclyn Backhaus
Directed by Anjalee Deshpande Hutchinson
Access Dramaturgy by Samuel Yates
Friday, Saturday & Monday, Oct. 20, 21 & 23, 7:30 p.m. and Sunday, Oct. 22, 2 p.m.
Harvey M. Powers Theatre – Bucknell University
$7 / $12 general admission
Ten explorers. Four boats. One Grand Canyon. Men on Boats is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River. Playwright Jacklyn Backhaus’ delightful adventure examines the conquering men out to chronicle the land in service of America, God, and Manifest destiny. As per the playwright’s request, these historically white male characters are all given voice and movement by actors who are anything and everything but white and male identifying - offering an entertaining and critical lens on the determination, foolishness and humanity of this group of frontiersmen in an historic moment in America’s adolescence
Men on Boats
MEN ON BOATS
By Jaclyn Backhaus
Directed by Anjalee Deshpande Hutchinson
Access Dramaturgy by Samuel Yates
Friday, Saturday & Monday, Oct. 20, 21 & 23, 7:30 p.m. and Sunday, Oct. 22, 2 p.m.
Harvey M. Powers Theatre – Bucknell University
$7 / $12 general admission
Ten explorers. Four boats. One Grand Canyon. Men on Boats is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River. Playwright Jacklyn Backhaus’ delightful adventure examines the conquering men out to chronicle the land in service of America, God, and Manifest destiny. As per the playwright’s request, these historically white male characters are all given voice and movement by actors who are anything and everything but white and male identifying - offering an entertaining and critical lens on the determination, foolishness and humanity of this group of frontiersmen in an historic moment in America’s adolescence
Natasha, Pierre, and the Great Comet of 1812
Musical by David Malloy
Directed and Choreographed by Christine O’Grady
Dramaturgy by Samuel Yates and the class of THEA 211
A fanciful retelling of Leo Tolstoy’s War and Peace, this electropop opera gives musical flair to this classic work of literature.
Men on Boats
MEN ON BOATS
By Jaclyn Backhaus
Directed by Anjalee Deshpande Hutchinson
Access Dramaturgy by Samuel Yates
Friday, Saturday & Monday, Oct. 20, 21 & 23, 7:30 p.m. and Sunday, Oct. 22, 2 p.m.
Harvey M. Powers Theatre – Bucknell University
$7 / $12 general admission
Ten explorers. Four boats. One Grand Canyon. Men on Boats is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River. Playwright Jacklyn Backhaus’ delightful adventure examines the conquering men out to chronicle the land in service of America, God, and Manifest destiny. As per the playwright’s request, these historically white male characters are all given voice and movement by actors who are anything and everything but white and male identifying - offering an entertaining and critical lens on the determination, foolishness and humanity of this group of frontiersmen in an historic moment in America’s adolescence
Men on Boats
MEN ON BOATS
By Jaclyn Backhaus
Directed by Anjalee Deshpande Hutchinson
Access Dramaturgy by Samuel Yates
Friday, Saturday & Monday, Oct. 20, 21 & 23, 7:30 p.m. and Sunday, Oct. 22, 2 p.m.
Harvey M. Powers Theatre – Bucknell University
$7 / $12 general admission
Ten explorers. Four boats. One Grand Canyon. Men on Boats is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River. Playwright Jacklyn Backhaus’ delightful adventure examines the conquering men out to chronicle the land in service of America, God, and Manifest destiny. As per the playwright’s request, these historically white male characters are all given voice and movement by actors who are anything and everything but white and male identifying - offering an entertaining and critical lens on the determination, foolishness and humanity of this group of frontiersmen in an historic moment in America’s adolescence
Natasha, Pierre, and the Great Comet of 1812
Musical by David Malloy
Directed and Choreographed by Christine O’Grady
Dramaturgy by Samuel Yates and the class of THEA 211
A fanciful retelling of Leo Tolstoy’s War and Peace, this electropop opera gives musical flair to this classic work of literature.
Natasha, Pierre, and the Great Comet of 1812
Musical by David Malloy
Directed and Choreographed by Christine O’Grady
Dramaturgy by Samuel Yates and the class of THEA 211
A fanciful retelling of Leo Tolstoy’s War and Peace, this electropop opera gives musical flair to this classic work of literature.
Natasha, Pierre, and the Great Comet of 1812
Musical by David Malloy
Directed and Choreographed by Christine O’Grady
Dramaturgy by Samuel Yates and the class of THEA 211
A fanciful retelling of Leo Tolstoy’s War and Peace, this electropop opera gives musical flair to this classic work of literature.
Boy Falls From the Sky: Disability as Spectacle in Spider-Man: Turn Off the Dark
In this lunchtime talk, we’ll use the beleaguered musical Spider-Man: Turn Off the Dark as a case study to explore how disability is central to but disavowed by a Broadway industry that demands athletic “triple-threat” performers. Julie Taymor’s blockbuster musical cost an eye-popping $75 million–the most expensive Broadway production in history. The tangled web that emerges is a story about how the relentless pursuit of performing Spider-man’s fictional hyper-capacity disabled multiple actors during the production’s run.
“There’s speech of our bodies”: Returning to the Theatre with Teenage Dick
“There’s speech of our bodies”: Returning to the Theatre with Teenage Dick for the University of Toronto’s Disability and Pleasure Symposium.
Violet
Thursday, May 5, 2022 | 7:30 p.m.
Friday, May 6, 2022 | 7:30 p.m.
Saturday, May 7, 2022 | 7:30 p.m.
Sunday, May 8, 2022 | 2:00 p.m.
A young woman in search of a miracle takes a bus ride across the Deep South in 1964. This moving musical uses the sounds of roots, folk, and gospel music to explore our shared search for healing and the real meaning of beauty.
La casa de la laguna (The House on the Lagoon)
La casa de la laguna (The House on the Lagoon)
A play by / Una obra de Caridad Svich
Based on the novel by / Basada en la novela de Rosario Ferré
Directed by / Dirigida por Rebecca Aparicio
In this adaptation of the novel by renowned author Rosario Ferré, a woman struggles to find her artistic voice when her marriage and the island of Puerto Rico is in a constant state of flux. Against the continuing socioeconomic and racial struggles of the island, the protagonist must fight to tell her own story… in her own words.
En esta adaptación de la novela de la reconocida autora Roario Ferré, una mujer lucha por encontrar su voz artística, en medio de la incertidumbre en su matrimonio y en Puerto Rico. A pesar de los continuos problemas raciales y socioeconómicos en la isla, la protagonista debe batallar para contar su historia... con sus propias palabras.
World premiere of Caridad Svich’s play La casa de la laguna, for which I provided dramaturgical support.
ASTR
“‘Touched the gods’: Orpheus, Echolalia, and Disability in Hadestown.” Curated Panel. American Society of Theatre Research (ASTR). San Diego, CA. October 29
“‘Turn It Off’: Topsy’s Legacy of Black Embodiment in the AIDS Musical.” Working Session. ASTR. San Diego, CA. October 29.