Cripping Broadway: Disability and the American Musical. Book manuscript in preparation.
“Choreographing Conjoinment: Side Show’s Fleshly Fixations and Disability Simulation." Studies in Musical Theatre, 13:1, pp. 67–78. doi: 10/1386/smt.13/1/67_1. Journal Article.
“Spider-man’s Designer Genes: Hyper-capacity and Transhumanism in a D.I.Y. World.” The Matter of Disability. Susan Antebi, David T. Mitchell, and Sharon L. Snyder, eds. Ann Arbor: University of Michigan Press, 2019, pp. 143–159. Book Chapter.
"Deafness: Screening Signs in d/Deaf Cinema." A Cultural History of Disability in the Modern Age. David T. Mitchell and Sharon L. Snyder, eds. New York: Bloomsbury Press, 2019. Book Chapter. Forthcoming.
“‘We Will Be Seen’: Queer Womanhood and the Politics of ‘Real’ in I (Heart) Alice (Heart) I.” Radical Contemporary Theatre Practices by Women in Ireland. Miriam Haughton and Maria Kurdi, eds. Dublin: Carysfort Press, 2015. 89-106. Book Chapter.
Manuscripts in Preparation
“Disability and the American Stage Musical.” Routledge Companion to Literature and Disability. Alice Hall, ed. London and New York: Routledge, 2019. Book Chapter.
“Casting Christopher: Theatricalizing the Border of Disability in Curious Incident” Teaching Critical Performance Theory in Today’s Theatre Studio, Classroom, and Community. Jeanmarie Higgins, ed. Book Chapter.
“Theatre & Disability by Petra Kuppers.” Journal of Literary and Cultural Disability Studies. David Bolt, Ed. Book Review.
Special Projects and Digital Scholarship
“Wagon.” Out of Sequence: The Sonnets Remixed. D. Gilson, Ed. Anderson, SC: Parlor Press, 2016.
“American Horror Story reveals the cruel optimism of science fiction” The Daily Dot. December 14, 2014. https://www.dailydot.com/via/ahs-coven-science-fiction-magic/
“Crip/Queer Film: A Case Study with Poison (1991).” Guest Lectures for Disability and Film Honors Seminar. GWU. Nov. 12 and 14, 2019.
“Disability Theory/Documenting Disability.” Guest Lecture for Graduate Advanced Critical Theory Seminar. George Washington University (GWU). Nov. 11, 2019.
“‘It’s not your face’: Aestheticizing Toxic Masculinity in Marius von Mayenburg’s The Ugly One.” Guest Lecture for “Man Trouble” Seminar. Pace University. Oct. 1, 2019.
“ ‘Measure Your Life’: The Legacy of the AIDS Musical in the Era of Mass Gun Violence.” Session: LGBTQ Health Humanities. Modern Language Association (MLA). Seattle, WA. Jan. 9–12.
“The New Triple-Threat: Disability, Biopolitics, and Hypercapacity.” Working Group: Monsters in the Public Sphere. American Society for Theatre Research (ASTR). Nov. 9.
“He is the very picture of a modern Major General: mobilizing musicals for resistance.” Session: Scene Change/Social Change: Performing the Resistance." American Theatre in Higher Education (ATHE). Aug. 10.